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One of many 17th-century masters of the oil approach was Diego Velázquez, a Spanish painter in the Venetian tradition, whose highly economical but informative brushstrokes have ceaselessly been emulated, especially in portraiture. The usual help for oil painting is a canvas fabricated from pure European linen of strong close weave. Linen canvas, after an extended period of development, replaced wooden panels as the most well-liked assist. The painting knife-a finely tempered, thin, limber version of the artist’s palette knife-is a handy tool for making use of oil colours in a robust manner. When a extra flowing or mobile high quality is required by the artist, a liquid painting medium equivalent to pure gum turpentine should be blended with it. But in Europe, oil as a painting medium is recorded solely as early as the eleventh century. At first, oil paints and varnishes were used to glaze tempera panels, painted with their traditional linear draftsmanship.

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